Dyna doesn't add her thoughts to the team's commentary; instead, after quickly inspecting the area, she begins ascending the next set of circular steps. The stress of marching towards her first real battle is draining her bravado and replacing it with a businesslike determination to simply be about their work. Besides, she's only just begun to grasp the extents to which wealth inequality shapes more urbanized societies. She doesn't see the house as a symbol of bourgeiosie excess, selfishly leeching prosperity from the hard-working proletariat in service of an inherently unjust status quo; she just thinks it's kind of neat.